Best instant camera 2019: 8 fun cameras perfect for parties

Whether you're looking for a fun camera for the family or want to try something a little different, there's a wide choice of instant cameras out there. Here's our pick of the best models you can buy right now.

Digital cameras have killed analogue photography off right? Well, that may the case in most areas, but analogue is fighting back with instant cameras.

Whether it’s nostalgia creeping back or the unique aesthetic they provide, instant cameras and their distinct prints are seeing a huge renaissance - even with the dominance of the smartphone, you can’t beat having a print in your hand.

So, whether you’re looking for a fun instant camera to bring out at parties, or wanting to get a bit more creative with your photography, then you’ll want one of these cracking instant cameras.

Best instant cameras in 2019

If you're looking for a cheap and easy to use instant camera, you're not going to go that wrong with the Instax Mini 9 from Fujifilm. It may lack the more sophisticated controls that pricier models enjoy, but that's half its charm. With little input required to produce decent credit card-sized instant prints, anyone in can use it. Great fun at parties, the little mirror on the front of the camera means it's easy to get an instant selfie. Little wonder its one of the best-selling cameras available right now

Read more: Should I buy a Fujifilm Instax Mini

A little more advanced than the Instax Mini 9, the Instax Mini 70 offers a few more features, but is still a cost-effective way to get into instant photography. The only thing you need to be careful of is that you don’t obscure the flash with your finger when you’re taking shots vertically. Everything else is taken care of – focusing, exposure and flash are all fully automatic. The inability to control the flash manually can be a bit of an annoyance – you’d need the more expensive Instax Mini 90 for that – but you do get a selfie mode and even a tiny selfie mirror on the front. We really liked the Instax Mini 70 as a simple party accessory.

With the famous brand now under the ownership of the group of instant film enthusiasts who stepped in to continue producing Polaroid film once the brand collapsed, the OneStep 2 is the first camera in this new era. Embracing a retro design inspired by the original OneStep from the 1970's, the new camera is just as easy to use. Producing large, square instant prints (it uses Polaroid I-Type film), it does mean you'll be paying quite a bit more per print compared to its Instax rivals. If you're happy to pay for that luxury, then you'll love the OneStep 2.

It’s chunky and solid, and although it’s made of plastic, it’s good plastic. It comes in a choice of mint, orange and white, and takes regular Fujifilm Instax Mini film packs, although Leica supplies its own film packs too, which produce a warm white frame around each picture. You compose shots using the small direct-vision viewfinder in the top left corner on the back of the camera. It’s not very big, but it’s usable enough. For an instant camera, the Sofort offers a lot of control, with Macro, Bulb, Self timer, Party & People, Sport & Action, Double Exposure and Selfie modes – in addition to fully automatic operation. You can also turn the flash on and off. The Sofort is expensive compared to the Fujifilm Instax Mini 70, despite using the same size of film.

Big hardly covers it. The Instax Wide 300 is the size of an old-fashioned medium-format rangefinder camera, even a small folding field camera. It’s because it uses instax wide film packs rather than the regular instax mini. The Instax 300 wide might look big and clumsy but it’s light, and the generous grip makes it easy to hold and use. You power up with a spring-loaded switch around the shutter release, which extends the 95mm lens. The instax wide format is much larger than a digital sensor, so this equates to a moderate wide-angle lens. For a big camera, though, the Instax Wide 300 has a tiny viewfinder. It takes practice even to get your eye lined up with the eyepiece. Otherwise, it’s simple to use and delivers very good results. Where the regular instax mini format produces small photo ‘tokens’, these are more like proper photographs.

Resembling a cross between a plastic pyramid and a spaceship from Close Encounters of the Third Kind, the Impossible I-1 features lights around the lens to form a ‘ring flash’ for softer portrait lighting, while it even comes with a free I-1 app for your smartphone. You can use this as a remote trigger, a noise trigger and a self-timer. The app also allows double exposures, light painting, and aperture and shutter speed adjustment – and it works as a photo scanner too. This makes the I-1 an excellent tool for experiments in instant photography, but too cumbersome for informal party shots. The shape doesn’t help – this is a bulky camera to carry around. The battery in our sample lost its power far too quickly as well: the battery was flat practically every time we went to use the camera.

Unlike the original instax SQUARE model, namely the analog/digital hybrid SQUARE SQ10, the SQ6 has a different idea in mind. Shaped like the Instagram logo and very much targeted at the kind of younger user who shares their creations on the platform, the camera runs on a pair of CR2 batteries and spits out 6.2x6.2cm prints, with the selfie mirror integrated into the front of the camera allowing for more effortless self captures. Fujifilm even throws in orange, purple and green flash filters to allow for an instant injection of colour into images, and as the body is nowhere near as cumbersome as some of the other options here, it ends up being as convenient to carry as it is fun to use.

Read our in-depth Fujifilm Instax Square SQ6 review

Arguably one of the more handsome options here, the Automat is one of many recent cameras that began life as a Kickstarter campaign. It comes in a particularly broad range of finishes and conveniently captures images on Fujifilm’s widely available instax Mini film, but the thing that sets it apart from its contemporaries is its ability to be used with close-up, wide and fisheye lenses (that can be bought with the camera), in addition to the default optic. Further control includes unlimited multiple exposures and a bulb option, and while it’s a shame it doesn’t have a self timer this is hardly a deal-breaker.